Recent Developments in Internet Intellectual Property Law

The Stop Online Piracy Act, or SOPA, is a United States bill that has been introduced in the U.S. House of Representatives.  A similar bill has been introduced in the U.S. Senate entitled, “Preventing Real Online Threats to Economic Creativity and Theft Intellectual Property Act,” or PIPA (“Protect Intellectual Property Act”)

These two bills have been in the media a lot over the past six months or so, and back in January 2012, many major websites, such as Google, Facebook, Twitter, Yahoo, Amazon, AOL, Mozilla, LinkedIn, EBay, PayPal, and Wikipedia, were considering an internet blackout in protest of the bills.  Wikipedia actually conducted a blackout of all content for 24 hours on January 18 through 19, which asked its visitors to “imagine a world without free knowledge.”  Obviously, much has been discussed about these two Acts, but what should we think about these two bills?

Many of us do not actually understand what is behind the bills.  The two bills have been vilified and have been represented as something that will inhibit growth and will not protect artists when, in actuality, there are some good elements in the bills.  The main goal of these Acts is to stop overseas websites that infringe copyrights or at least prevent users from viewing those sites.  The bills would actually prohibit U.S. companies from providing services, such as payment, to foreign websites that sell stolen U.S. content, including movies and music, as well as medicines that infringe on patents.  The bills give content creators the power to force ISPs, search engines, or payment services to down access to websites that the owner believes violated its copyright.

Many believe the bills are overly broad.

These bills could potentially affect websites that display user content, which is of great concern with the major websites, such as Wikipedia or YouTube, sites that are driven by users and user content.  However, on certain websites, if copyrighted material is posted on the website, the website could potentially be shut down, even though everything else on the website is non-copyrighted, user content.  The same could apply with blogs that might be infringing copyrights.  Sites could also be killed without proof of ever having violated a copyright.  This part of the bills is a bit unclear as to what exactly the protocol would be for shutting down a website, but it appears to be easier than most people would want it to be.

As stated earlier, many of the major websites and the ACLU are against these bills.  To name one corporation that is actually in favor of these bills is the Motion Picture Association of America, which is not surprising as it is just trying to protect all of its copyrights of movies.

Why are Wikipedia and Google are fighting these two Acts?

It is just a pretense that Wikipedia and Google are fighting these two Acts to protect the users or the little, unknown artists.  Rather, they are only trying to protect themselves and their bottom lines.  Websites such as Wikipedia or Google are not starving artists trying to earn a living with their art.  In all actuality, such websites make much of their money off copyrighted material, and they have been able to get people to side with them, such as the small artists or moviemakers, when, in actuality, if those people learn more about the bills, they would probably not be so inclined to oppose them.  Such small artists have to display their work in order to sell it.  If a website decides to copy the image or design, start producing it, and making money off of it, then the market becomes flooded with that image, and suddenly the artist’s original works have lost their value and are no longer marketable or valuable.  There exists a very real fear that if something is not done about piracy, content creators, such as the small artists, musicians, and filmmakers, will not be able to make a living creating their art form.  If somebody is infringing their copyright, they need to be able to have some recourse, as it will cut into their bottom line and, ultimately, their livelihood.

SOPA and PIPA are just another step by the government to try to protect copyright owners.

The government has been pretty slow in this aspect, as the internet has been around for a good amount of time now, and yet the government is just now trying to solve all these “new” copyright infringement problems that have arisen over the past ten years or so.  In 1992, the Congress passed the Audio Home Recording Act, which declared that taping, making mixed tapes, sharing with friends was okay, but making copies to sell was not okay.  In that case, Congress thought that it had defined that distinction and solved the problem.  This just goes to show you that now, in the new era, we have discovered a very similar problem, although more technologically advanced, for which Congress must adapt and find some middle ground to protect copyright holders, because it is important that something needs to be done.  These bills may be overly broad, but the bottom line is that something needs to be done, especially when countries such as China and Russia do not enforce copyrights.  For example, in those countries, you can purchase bootleg copies of Microsoft Office, video games, movies, etc., which cut into the bottom line of not just the big moneymakers like Microsoft and Google, but also the smaller individual artists and filmmakers.

Who are the “bad guys”?

I think it is important to note that many opponents of these bills are citing that millions of dollars of support are received by politicians from the traditional media outlets which support the legislation and, therefore, portraying them as the bad guys.  However, companies such as Google and the giant and powerful tech industry are fighting against these bills for their own interests and not those of the little guys.  The little guys need to become informed about these bills before deciding to just go along with the side they think is looking out for their best interest, because nobody is looking out for their interest.  They have to look out for themselves.

The House Judiciary Committee was scheduled to have debates on SOPA in January, but those were postponed due to the protests.  They have postponed consideration of this legislation until there is a wider agreement on a solution.  If something does get passed, it appears that these bills will probably be more watered-down versions.  Hopefully, an agreement can be worked out and these bills, in some form, can be passed in the near future, as I believe it will protect copyright holders and content makers, the small entrepreneurs.

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About Kameron W. Kramer

Kameron W. Kramer is licensed to practice law in New Mexico, as well as before the United States Patent and Trademark Office as a registered Patent Attorney. Kameron has technical expertise gained from his work as an engineer in the pharmaceutical and medical devices industries. His legal focus is on intellectual property, including patents, trademarks, copyrights, and trade secrets. Kameron combines this technical and legal expertise to assist his clients in the starting, planning, and development of start-ups and established companies.

  • Stef

    Kameron, I believe you understate the recourse a content creator has when another website markets his copyrighted image without permission. It has some assumptions and implication that simply are not true.

    Your statement implies 1) there is no recourse, 2) distribution of the content creator’s work is automatically makes it unmarketable, and 3) that side-effects should be ignored if it’s in your best interest. That is not usually the case.

    First: A DMCA takedown request is usually enough to stop blatant infringement of US sites (and often outside the US). Certainly, the issues of overseas sites committing blatant infringement is what SOPA was designed to hinder. But the overarching creep that inevitably invades a bill penned by the big content owners does not limit it to only overseas corporations committing blatant copyright infringement as their sole business.

    Second: Many content creators depend on their works being distributed widely, to make money. Examples are photographers and designers who release a low rez version and encourage sharing all over… and use that to market it for commercial use. One very successful example is stuckincustoms.com.

    Lastly, the side-effects of this bill are the issues and are what’s wrong with it. Support for this bill is the definition of “those who don’t understand the Internet” or, much worse, those who *do* understand it and are intentionally throwing the biggest man-made creative and free-speech device under the bus in their own self-interests. The entire bill is a veiled attempt by big content owners (notice I did not say content creators) to bastardize the technical inner workings of today’s free-speech, to bring it further under their control.

    Big media has stated, blatantly, that they believe Fair Use is a violation despite being clearly spelled out as non-prosecutable. SOPA would bypass this process, allowing horrible abuses against non-infringing sites.

    I’ve worked for 20 years in the industry and helped build this marvelous creation called the Internet, and it’s done very well without the fingers of big media and delusional lawmakers breaking it. The thing is, they would not be doing as well as they are without the Internet, but they want it to be *THEIR* Internet. This is plain and simply a land grab by those who can spend the most on lobbying.

    Besides decades of computer science, I’m also a professional content creator, and while I don’t particularly want my work distributed without permission or compensation, I would rather that happen than screwing with the technical functionality of the Internet, especially because it’s in a way that will not affect the pirates, but rather, a way that’s certain to be abused as a harassment tool by big media on non-infringing sites.

  • Kameron W. Kramer

    Stef – I agree that that their are many seriuos concerns with the bills and they are overreaching. I’m attempting to show, what I feel is, the upside to these bills and what they are attempting to do (regardless of what the intentions behind them may be). I work with a lot of artists and I tried to tailor this article to their interests. I’ve seen many artists have their photographs/drawings/paintings taken without their persmission and put on a website. This takes away from the artist’s ability to create/reproduce/sell/distribute the work. The bottom line is: something needs to be done. I’ve never said their is currently no recourse for copyright holders upon infringement, but, as an attorney, I feel something needs to be done to make it less expensive, maybe not easier, to fight copyright infringement. Filing and fighting a copyright infringement suit in federal court is a daunting and expensive task. You can also report copyright infringement to the FBI. Additionally, I do recognize that many content creators rely on distrubution via the internet. But, it’s my experience, that many artists are being harmed by copyright infringement. While it may be true that some photographers depend on the distribution, it also takes away from the sales of many other photographers.

    While you state that I imply that “distribution of the content creator’s work is [sic] automatically makes it unmarketable”, you imply that all content-creators need the internet and copyright infringement to survive. That’s not the case at all. And if a copyright holder isn’t concerned with the infringement, they can allow it to continue.

    As far as Fair Use goes, SOPA and PIPA would not take it away. Fair Use is extemely important and we cannot take that away. But, you have to understand what fair use actually is and it has to be determined on a case-by-case basis. And, as I stated in my post, hopefully water-downed versions of these bills will pass some day. I do see the problems with the bills, but you have to look at both sides: we need to protect copyright holders but we shouldn’t limit Fair Use.

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